Four hour pilgrim

This story was published in Offset volume 13. The author retains copyright.

Have you ever been driving at night, with only the headlights for company, and thought to yourself … just a nudge to the left?

Just a nudge to the left and the punctuation to my life would be a bright-burning fireball; metal concertinaed against a pole, maybe severing the power to the nearby town or the city. All those people, left in darkness. Just a nudge. Then, quick as the rain against the tarmac, the next thought: the ending would be more memorable than the life before. All those people left in dark—the widest ripple I can send out.

These are the thoughts that consume me come Friday. Or rather, Friday evening, when the sun is in its last throes and the streets around the city are clogged like the arteries of a fat, dying old man. Which is sort of ironic, because the travellers doing the clogging are usually fat, dying old men; their collars unhitched and tarnished yellow because they gave up on washing their clothes around Tuesday, their ties thrown across the backseat, their eyes fixed on the horizon beyond the buildings. They pour out of Canberra in a desperate stream, headed for the country. For their stately manors, or their quite retreats: headed for their families or mistresses.

I tag along, one set of wheels among many. But I have no retreat. I have no mansion. Instead I go home. Home: home to the mid-highway town that, for most people, is only a petrol station and a change in the speed limit. One of dozens of places only recognisable by their direction and distance from Canberra, which itself is not worth recognising.

This Friday night, same as last Friday night, I pull up two hundred and thirty kilometres south west of Canberra and I step down and look around and see nothing much. I go in through the plastic strips of the one pub on the highstreet.

I look at the girl behind the counter and she looks at me, and smiles, and says, “Hi, Rob. How’s the big city treatin’ you this week?”

I smile back and check that I’ve taken my wedding ring off before I put my hands on the bar. Because even though I’ve known Cindy for fifteen years, she still doesn’t know I’m married—and I’d like to keep it that way. If she knew, it would change things in some way that I can’t describe but definitely don’t want.

I lever back into one of the bar stools and she gives me a beer and leans on the oak with each hand cupping the elbow opposite. There’re a few other people in the big dusty room, but they’re alone, absorbed in their drinks and the rugby on TV.

“It treats me fine Cindy, it treats me fine. How’s things with you?”

“Ah, same old. Always same old. Old man Burt’s givin’ me grief again.”


Burt’s the publican, and her dad. He moved out here to get away from Sydney’s bustle, and now spends all his time trying to speed things up. She throws her hands up and turns away to refill a brickie’s empty cup. Then she goes out back to do something to the kegs. We’ve shared all the conversation we have to share. One time, I remember, Gertrude had a baby—that topic lasted us for at least five minutes. Our talks are an act, anyway. Cindy thinks I come out here to see the folks, see the family home. I do sometimes, but only a couple of time a year or so. Most of my visits go unannounced and unknown to anyone but Cindy and the bar flies.

I drink the beer quickly, put the empty down. Then I take a last look at her back, in the gloom of the open doorway. The colour in her clothes is faded. Her hair looks lank and unappetising. The scar from her melanoma shows on her freckled shoulder, even from this distance. The girl I just drove two hours through rain and fog to see. We haven’t spoken properly in four or five years.

Outside, my feet sink into mud where the bitumen car park has withered away. I look up at the sky and see crushing blankness instead of threatening clouds. Either there’ll be a biblical storm fit to flood all the crop rows, or the sun will rise into sullen stillness that gradually dissipates. I get in the car and spin my wheels all the way across the lot, unable to get a grip on the shifting gravel.

I worked my way out of this town. I studied and planned, relentlessly.

It wasn’t for me or for my folks. All my plans and drive started with Cindy. Cindy was the moment of inspiration that drove me out and grew me up. I had just turned thirteen when she moved here from Sydney. There were only a few of us in the class, and only a few of them were girls, and all five of them put together weren’t half as tantalising as Cindy Blackett, the girl from the Big City. I spent the remainder of high school staring at the back of that freckled neck with its golden, woven pigtails and imagining marrying her on the hill that overlooks the town. It was all over for me as soon as I saw her. In that open-windowed classroom I felt a stirring, and, in my mind, there’s only a heartbeat separating then and now.

The rear view mirror shows me the little town, shrinking into night proper. The few cars going the other way have their headlights on high beam, like a blinding visitation. I can hardly see the white lines for a full minute after each one passes me by.

Time laid itself out slowly and wonderfully before I was thirteen. But then Cindy turned up and all of a sudden I was aware that the floodgates had been slowly easing back for some time. In a matter of months none of my clothes fit. Twice weekly I was furtively shaving the dirty fluff on my top lip with mum’s leg razor. A moment after that: fighting my way through traffic morning and night, wearing inhumane clothes and measuring my hours with a bank account that never quite balances against a mortgage, a wife and a cat that takes every opportunity to piss on my pillow and shit in my shoes. I’ve always hated cats.

I remember I thought at the time, as I watched those Pipi Longstocking plaits nuzzling the summer breeze, that I needed a good, sensible job. Something that paid a lot of money and was located somewhere important, where I could be important, whilst still earning enough to buy Cindy a house and a horse and the time to raise a litter of kids that would have noses just like hers. I went home and threw away my unfinished story drafts, and writing notebooks, and sketches. I decided right then and there. I was going to be a manager, not a writer. Who gives a fuck about writing? I needed an MBA.

The road back to Canberra narrows to a single carriageway each way, twisting and turning through green vineyard country. On a road like this, on a night like this, the wheels slide infinitesimally when you round corners and the steering wheel guides you only shakily along the path you want to take. Every minute or more you get an indication that you have less control than your body seems to be telling you; less control than years of practice and patterning would have you believe. Things loom out of the dark, and then resolve themselves into familiar shapes that disappear as quickly as they came.

Once a week, when the wife is at toastmasters, I like to come out here and speak a few words with the girl I had a crush on when I was thirteen, and share a beer with silence.

On the way out, I think to myself: just a nudge to the left. What if?

On the way back, I concentrate very hard on steering as best I can—until the white glow of Canberra appears from between the cradling hands of the mountains. It takes only four hours a week to relive and revive a lifetime.

In between these pilgrimages I forget. But on this Friday night, same as last Friday night, when I finally roll up the driveway and into the carport, I sit in the car and pace both my hands on the dashboard and feel overwhelming gratitude that the ceaseless motion has stopped, at least for a moment. I remember the other, elder, pilgrims that left with me hours before in such haste, and wonder where they are now. They have even further to travel. When you get old, it must be near impossible to get back to the point where it all began.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s